Among the numerous things he does properly, inn interiors are one of them. André Fu’s paintings articulate luxury as a non-public and welcoming revel, evident in his most prestigious tasks; the recent Waldorf Astoria in Bangkok and Park Hyatt Resort in Phuket are cases in point. While that’s sufficient for each person to be typecast as an ‘expert,’ Fu, the founding father of layout studio AFSO, has adroitly sidestepped that pigeonhole, exploring specific tangents of high-minded, significant design, such as merchandise and furniture.
Interior Design: Laid-Back Luxury
In 2016, the Hong Kong-primarily based architect took an arterial direction, going past areas to incorporate products, fixtures, and add-ons. Fu multiplied his oeuvre with AFL, partnering with artisans to create a line-up of the way of life merchandise. After that, the agenda became clear: bringing his signature aesthetic of ‘comfortable luxury’ into the advent of products and using design to enrich life.
Interior Design: Hospitality to Products
This year’s series contemplated his preference to build something discrete. “I desired to project myself with the curation of a stand-alone lifestyle collection of homeware and ornamental accessories, encapsulating the important elements of my style and [creating] something tangible,” explains Fu. The collection, christened Modern Reflections, encompasses domestic add-ons that show off the same subtle feel of design that informs his spaces—the introspective, experiential luxury is his hallmark. “It is a part of the many things I have learned from the hospitality sector—to create a backdrop that revolves around ordinary existence. The key difference is that motels are spatially driven, while the arena of homeware is supposed to immerse you in an environment,” states Fu.
Interior Design: Distinct Collection
The collection—from furnishings, lighting fixtures, and textiles to tableware and stationery—is also fashioned via the recollections of his teenage years, spent touring Hong Kong and London; it resonates deeply with his perception that, in a distracted, stressed-out global, it is essential to step again and introspect on non-public trips, and “learn from the beyond to foster creativity.” Fine substances, finer craftsmanship, and subtle elegance are central to this series, based on two distinct layout languages—Artisan Artistry, pushed through artistic expression, and Vintage Modern, which pulls at the geometric styles featured in Nineteen.
Sixties modernist structure. A total of one hundred fifty portions are in the offing for this range, which shows Fu doing what he does first-rate—growing singular designs meant to be experienced—due to the fact luxury, after all, lies in “the experience, now not just aesthetics” The university provides a greatly exhaustive 5-calendar year Bachelor of Science program which will offer its students learning everything concerning the field of Interior Design. Due to the suggested courses, a future designer will be able to understand different perspectives of interior style, and most importantly, the student will be able to master all of these aspects to become a wonderful
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